Shakespeare Already Wrote About What Happens When Women Don’t Have Bodily Autonomy


I grip the darkish vial, maintain the measuring spoon out in entrance of me. “Black Cohosh,” the label reads. I take a look at my laptop computer display.

 Tincture: ¼-1 teaspoon, 3–4 occasions a day. 

The foundation is the half used.

My tongue recoils from the bitter style. I put the dropper again within the bottle and set an alarm to go off each three hours, making an attempt to distract myself from a physique buzzing with anxiousness. I kind and scroll extra, studying that despite scientific studies suggesting otherwise, excessive doses of Vitamin C can even work. I’ve some readily available, so I choke the chalky tablets again in fistfuls.

Please don’t be pregnant, please don’t be pregnant, I chant till my interval comes, praying to any god that can hear. 


“There’s rue for you, and right here’s some for me; we could name it “herb of grace” o’ Sundays. You could put on your rue with a distinction,” Ophelia says in act 4 of William Shakespeare’s Hamlet, to nobody particularly. In her mad scenes, she provides away flowers: rosemary, pansies, fennel, columbines, and rue. Of all of them, she solely retains rue for herself. 

Based on John M. Riddle, frightening an abortion was rue’s “most acknowledged use in classical antiquity and the Center Ages.”

I wish to think about that, earlier, Ophelia ran her finger down the ledger of a receipt e-book, coming throughout a recipe from antiquity underneath “Rue (ruta graveolens)”:

3 drachmas of rue leaves, 2 drachmas of myrtle, 2 drachmas of laurel, mix with wine.

To convey down the flowers.

A bit little bit of heaviness lifts, only for a second, as she closes the e-book and goes out to the backyard.

Please don’t be pregnant, please don’t be pregnant, she prays.


I’ve been liable for my fertility since I grew to become sexually lively, earlier than Plan B was accessible over-the-counter and Abortion on Demand started serving sure states. In contrast to the early fashionable ladies Ophelia represents, I’ve been capable of alter my physique’s chemistry. I swallowed hormones on the similar time on daily basis. I implanted a device into my arm. I inserted a ring into my vagina. I fought to wrap guys’ dicks up in latex. 

When determined, although, I seemed up natural treatments for fertility management and unplanned pregnancies—very like individuals who may get pregnant in early fashionable England.

I swallowed hormones on the similar time on daily basis. I implanted a tool into my arm. I inserted a hoop into my vagina

I’m not the primary to argue that Ophelia’s reference to rue suggests an intimate data with fertility management and, consequently, premarital intercourse. There are a number of notes and articles on the subject, vehemently contested by students who neglect that, whereas characterizing younger ladies in Shakespeare like Ophelia as virginal, Shakespeare himself walked down the aisle when his spouse was three months pregnant. My very own experiences with “rue,” nevertheless—with natural abortifacients and the sensation of remorse and repentance that accompanies them—are why I observed that Ophelia retains some rue for herself in Hamlet, of all her flowers. They’re why I observed she calls it a “herb of grace,” one promising a sort of divine intervention. They’re why I observed she says she wears her rue “with a distinction.” If we learn Ophelia’s trajectory in Hamlet as knowledgeable by the specter of an unplanned being pregnant, her desperation turns into extra palpable, her flowers extra resonant.

Attending to how pregnant folks like Ophelia “convey down flowers” in Shakespeare reminds us that individuals have sought early and late time period abortions throughout time, and that this search is represented in probably the most canonical of authors, of texts. These “historic touches throughout time,” to use medievalist Carolyn Dinshaw’s phrase, supply perception into what abortion may’ve been like in Shakespeare’s day. The determined, panicked seek for data, the darkish vials containing the promise of a special life, the communities that harbored and disseminated this information—these touches are notably vital in a put up Roe v. Wade world, when pregnant folks will likely be compelled to show to the sorts of treatments accessible earlier than the medicalization of abortion. What’s extra, many people understand that overturning Roe v. Wade is an try to revoke folks’s—particularly younger ladies’s—management over their needs, their our bodies, their futures. Ophelia felt the hazards of this enterprise.


Abortion wasn’t unlawful in Shakespeare’s England, like it is in some US states today. Historian Carla Spivack argues that abortion earlier than quickening (when a pregnant particular person first feels their youngster transfer) was not even thought of a critical ethical crime. Abortion was a menace solely to the extent it allowed for, or hid, illicit intercourse. Alex Gradwohl argues, nevertheless, that the rise of Christianity and church teachings to channel need by way of reproductive intercourse and marriage ended the “ethical neutrality” present in classical texts relating to abortion. Nonetheless, as a technique of fertility management for married ladies, for instance, abortion was not even throughout the purview of the regulation.

The choices for early fashionable folks scared of an unplanned being pregnant have been restricted, as they’d no entry to medical or surgical abortion. In one of many few express references to abortion now we have from the interval, Christopher Marlowe—one in every of Shakespeare’s rival dramatists—lists off completely different strategies to finish a being pregnant in his Elegies 13 and 14 (c.1600). In these poems, the speaker’s beloved, Corinna, “rashly” casts out “her womb’s burden.” “Why with hid irons are your bowels torn? / And why dire poison provide you with babes unborn?,” the speaker asks, outlining two choices to take action. The “hid irons” tearing “bowels” conjures extra fashionable photographs of wires and coat-hangers—the “dire poison” the natural treatments folks used within the case of an unplanned being pregnant. 

Abortion was a menace solely to the extent it allowed for, or hid, illicit intercourse.

Scholar Frances Dolan argues that when pregnant folks in early fashionable England “bravely took management of their very own fertility” they depended, predominantly, on “conventional data of the herbs of their backyard.” Natural abortion is now steeped in stigma, as journalist Maya Lewis reports, however till the invention of hormonal contraception within the Nineteen Sixties, and the rise in surgical abortions after Roe v. Wade within the Nineteen Seventies, it was pretty much as good an choice as any to finish an undesirable being pregnant. Even earlier than Roe v. Wade was overturned, a safe, medical abortion was never a guarantee, particularly for low-income people with out clinics of their neighborhood. I actually didn’t have lots of of {dollars} to spend on an abortion in school. Natural abortifacients promise a less expensive, extra accessible different, whether or not they ship on this promise or kill you in the process. These herbs—rue, black and blue cohosh root, cotton root bark, mugwort, Queen Anne’s lace, pennyroyal—have been used throughout time and place, earlier than surgical abortion grew to become authorized and protected for a few of us.

When I discovered myself scared of an unplanned being pregnant, I turned to the web, however early fashionable folks like Ophelia would’ve turned to receipt books, family books that held medical and cookery recipes, for tactics to “convey down the flowers.” In Ben Jonson’s play Epicoene (1609), for instance, a younger spouse asks one other whether or not she has “wonderful receipts” to maintain herself from bearing youngsters, to which the lady responds, after all she does—how else would she preserve her youth and sweetness? “Many births of a girl make her outdated, as many crops make the earth barren.” As Jonson represents, these recipes have been usually written by ladies, handed round inside feminine communities.

As a sort of data manufacturing ladies may take part in and share secrets and techniques by way of, receipt books have been threatening to male physicians, who usually appropriated data from them for medical texts. Fearful of ladies having management over their fertility and thus intercourse lives, physicians like Andrew Boord refused to checklist sure purgatives in his treatise, The Breviarie of Well being (1547), lest any “mild girl” willfully use them to induce abortion. Nicholas Culpeper, equally, admonishes readers in The English Doctor or The Full Natural (1652), “Give not any of those to any that’s with youngster, lest you flip murderers…willful homicide seldom goes unpunished on this world, by no means in that to return.” 

The backyard Eucharius Rösslin references within the very title of Der Rosengarten or The Rose Backyard (1513), one of many best-selling gynecological manuals of Shakespeare’s time, is a reference to the “Physique” backyard wherein midwives grew, nurtured, and gathered natural treatments equivalent to rue. Rösslin chooses to border this medical textual content with a (horrible) poem—a ballad entitled “Admonition to Pregnant Girls and Midwives.” The poem knits the pregnant feminine physique with the rose backyard, ending with the promised “admonition”: “Such roses which your palms do take / Will are available in time earlier than God’s face.” These shrill warnings exhibit that pregnant folks taking their fertility into their very own palms utilizing herbs and vegetation was widespread follow, regardless of physicians’ makes an attempt to obscure and police this information.

Receipt books have been threatening to male physicians, who usually appropriated data from them for medical texts.

In an interview with me, doula and herbalist Chelsea Wall of Black South Apothecary described male physicians’ appropriation of this type of gynecological data as devastating for sufferers’ autonomy and a extra nuanced understanding of herbs’ relationship to fertility management. Wall had a “constellation of issues” as an herbalist in a put up Roe v. Wade America. From botched and incomplete natural abortions to the scarcity of—even criminalization of—herbs used for different illnesses, equivalent to mugwort, to the continued stoking of fears and misinformation about herbalism “planted by historical past, nurtured by the medical industrial advanced.” However Wall was particularly involved with how herbalism continues to be mentioned with out nuance, both discredited or romanticized. Whereas she unilaterally asserts that “medical abortion remains to be the most suitable choice accessible” to pregnant folks on the lookout for an abortion, Wall lamented the “compartmentalized world view” that makes it troublesome for us to just accept herbalism at its greatest, as a set of holistic practices that span historical past, geographical area, and practitioners who worth their sufferers’ autonomy.

In Shakespeare’s performs, herb-women, hothouse managers, and offended moms supply a glimpse of what function herbalists like Wall may’ve performed in early fashionable England, these nicely versed in natural medication who valued pregnant folks’s autonomy. In Shakespeare, herbalists act as foils to masculine rule—a burgeoning medical industrial advanced and misogynist visions of chastity. These feminine communities have company over younger ladies’s sexuality that males wrestle to match. In Pericles, for instance, Shakespeare introduces audiences to a “herb-woman” who runs a brothel, knowledgeable whom a male character says, “units seeds and roots of disgrace and iniquity.” This girl is known as by Shakespeare for her experience, a specific means of managing sexually lively ladies. In Measure for Measure, Shakespeare goes as far to call a personality, an executioner, “Abhorson” and, as scholar Mario DiGangi persuasively argues, the pregnant character Mistress Elbow’s presence in a brothel that doubles as a bathhouse is particularly threatening given gynecological manuals’ advice to pregnant people, then and now, to keep away from excessive warmth as it may possibly trigger miscarriage. Shakespeare additionally makes an express reference to abortion in act 4, scene 4 of Richard III, when Richard asks, “Who intercepts me in my expedition,” and the Duchess, his mom, responds, “O, she which may have intercepted thee, / By strangling thee in her accursed womb, / From all of the slaughters, wretch, that thou hast executed.” These threatening ladies curse the murderous male youngsters they gave start to, run brothels and sizzling homes, and supply alternate avenues away from being pregnant, parenthood, and judgmental male physicians. 

Notably, in Hamlet, Ophelia is totally bereft of this type of group, the sort of group Wall described in her interview with me and that Hannah Matthews writes about in “Abortion Takes a Village, Too,” the “protected and sustainable communities” that “will preserve exhibiting up for each other, it doesn’t matter what.” 


In Shakespeare, herbalists act as foils to masculine rule—a burgeoning medical industrial advanced

In Hamlet, Ophelia’s rue is tangible, each her sorrow and her flowers—maybe as a result of her whole character is outlined in relationship to her chastity. Audiences watch as Ophelia is discarded by the titular character and determined, “wedged between senior males” to make use of Coppélia Kahn’s suggestive phrase—males who ventriloquize her need and her intercourse life. Her brother, Laertes, waxes for 34 traces in an early scene on why Ophelia should not “unmask her magnificence” nor open her “chaste treasure,” her “buttons” or “bud” to Hamlet. Her father enters shortly thereafter and repeats these admonitions. 

Ophelia, to her credit score, responds to accusations she is having premarital intercourse with Hamlet not with assurance and denial, however with grievance of her brother’s hypocrisy: that he not present her the “steep and thorny approach to heaven” whereas he, himself, treads “the primrose path of dalliance.” This wit, her exasperation, right here, has been erased over time, in interpretations of her as a fragile, chaste, helpless maiden, work of her lily-white physique floating useless in flower-filled water, productions that place her as a nonsensical, hysterical topic, an decoration to be pitied. All through Hamlet, Ophelia pushes again in refined methods, suggesting she’s not as “chaste”—in all senses of the phrase—as her legacy implies.

“To a nunnery go, and rapidly too,” Hamlet infamously tells Ophelia—locations that housed pregnant maids in early fashionable England. “Shall I lie in your lap?” he asks her, sexually harassing her throughout play-within-a-play. A number of the very first phrases Hamlet speaks about Ophelia within the play are, “Nymph, in thy orisons be all my sins remembered,” addressing her as a sexualized legendary determine, one who’ll bear in mind his sins in her prayers. 

My very own experiences with overbearing authority figures and their hypocritical policing of my needs are how I understand how ashamed Ophelia should’ve felt, choosing her rue. My very own experiences with self-absorbed males, boys like Hamlet—with once-affectionate-suddenly-absent lovers—assist me acknowledge Ophelia’s makes an attempt to cope with the implications of misplaced belief within the play. They assist me acknowledge her rue, her loneliness, her isolation, her desperation.

Ophelia, to her credit score, responds to accusations she is having premarital intercourse with Hamlet not with assurance and denial, however with grievance of her brother’s hypocrisy

Due to how Ophelia is handled all through Hamlet, Gertrude’s eventual description of her demise—the best way Ophelia lastly does “convey down the flowers”—is particularly devastating. As studies show, adolescent being pregnant is a threat issue for suicide, and although rue is, as a recent medical study by Aref Hoshyari et al. (2014) confirms, an efficient abortifacient, it’s much less efficient and much more harmful than surgical or medical abortion—and might simply find yourself poisoning an individual. The queen tells audiences that Ophelia falls from an “askant” willow tree from which she tried to hold “improbable garlands.” Her clothes, “heavy with drink,” pull Ophelia right down to a “muddy demise.” When Gertrude describes Ophelia “clambering to hold,…” there may be, on this phrase that begins a brand new line of iambic pentameter, a pause—nevertheless transient, sufficient of a touch that Ophelia may’ve been clambering to hold greater than her garlands. Though Gertrude claims Ophelia fell, a Gravedigger later questions Ophelia’s proper to a “Christian burial” when she “willfully seeks her personal salvation.” 

As Marlowe writes in his abortion poems, “tender damsels do it, although with ache; / Oft dies she that her paunch-wrapt youngster hath slain.” All circumstances thought of, it is sensible that there isn’t any future for Ophelia, or any youngster she could be carrying, in Denmark, within the toxic, rotting world Shakespeare creates.


I’ve usually thought of Ophelia’s rue and abortion in Shakespeare’s England within the months because the Supreme Courtroom overturned Roe v. Wade. I’ve been occupied with concern, about feeling fully uncontrolled whereas making an attempt to realize what little management I may over my physique. I’ve been occupied with the desperation that comes with having nowhere to show, the desperation I hear in Ophelia’s mad speech—when she retains some rue for herself. In a put up Roe v. Wade world, these emotions will likely be extra widespread, extra palpable.

In a method or one other, I’ve managed to plan my pregnancies, plan parenthood, over the course of my life.  I can’t communicate to the efficacy of any try I made with herbs; it was too early to inform what precipitated the bleeding—and experts warn against these kinds of remedies—however I’ve all the time discovered a means out of being pregnant scares. I’ve but to discover a mild relationship to my fertility, nevertheless; generally it seems like intercourse is inextricable from concern and anxiousness, even when I’ve much more strategies at my disposal than Ophelia did. One factor I do know is that, because the Supreme Courtroom overturned Roe v. Wade, my relationship to intercourse and need feels heavier. It’s not simply that overturning Roe v. Wade will decimate entry to protected abortions—it’s that the connection younger folks like Ophelia type with need, sexuality, will likely be marked by concern. 

I do know that the urge to make Shakespeare related in any given context is why he continues to take up a lot undeserved area in our lecture rooms, theaters, and cultural creativeness. That is removed from the primary article to place Shakespeare in dialog with the Supreme Courtroom overturning Roe v. Wade. In a latest Hill article titled “Abortion and the Supreme Court: An American Tragedy,” for instance, creator Joseph Chamie phases the top of Roe v. Wade as a Shakespearean tragedy, the final act to be determined. “If William Shakespeare have been alive at this time,” Chamie writes, “he would seemingly write a play about abortion rights and the Supreme Courtroom of the USA.” Alternatively, when solid members from a latest manufacturing of As You Like It wished to talk out outdoors Roe v. Wade, they acquired an e-mail from college representatives instructing them to not: “We really feel unplanned post-show talks on politics will detract from the work you’re doing on telling the tales of William Shakespeare,” it read.

I simply add to those conversations that, relying on the way you learn Hamlet, Shakespeare may’ve already written this play—informed this story.

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